Born in St. Louis in 1864 and trained in France, Paul Cornoyer made a name for himself in the late 19th century, painting landscapes and urban scenes in an impressionist style.
“In 1899, with encouragement from William Merritt Chase, he moved to New York City,” states oxfordgallery.com.
Here he opened a studio, became associated with the Ash Can school, and for many years was a beloved art teacher at the Mechanics Institute.
“Celebrated for his lyrical cityscapes and atmospheric landscapes, Paul Cornoyer crafted an indelible impression of fin-de-siècle New York,” explains this fine arts site.
[Above: "Winter Twilight Central Park"; below, "Flatiron Building"]
Well-known in his day, his typically rainy, muted depictions of New York City sold well and earned him fame, particularly “The Plaza After Rain” (below) and “Madison Square in the Afternoon” (top).
He’s not a household name, but his vision of a New York with soft edges and blurred borders still resonates—reflecting a moody city filled with mystery and enchantment.
Tags: Ash Can New York, Ash Can School painters, Central Park scenes, Flatiron Building scenes, Madison Square paintings, Madison Square scenes, New York in 1910, New York in the rain, New York painters, Paul Cornoyer, William Merritt Chase
February 28, 2013 at 5:32 am |
Exquisitely delicate. His application of light is quite noteworthy. I cannot recall having heard of him and agree he deserves a wider audience. Thank you for posting examples of his work.
February 28, 2013 at 5:39 am |
You’re welcome, and he does deserve a wider audience. They’re magical!
February 28, 2013 at 8:45 am |
Beautiful! You brought to our attention the windy city paintings of Martin Lewis and now the serene and gentle Paul Cornoyer. Who will you next find in your New York archives? Keep digging through it all, you’re on a roll
February 28, 2013 at 3:32 pm |
Thanks Mick!
February 28, 2013 at 6:37 pm |
Love these. The play on light is wonderful.
February 28, 2013 at 10:29 pm |
Beautiful! I love the lighting in “Winter Twilight Central Park.” Actually, they are all excellent.
February 28, 2013 at 11:51 pm |
I second Mr. Dementiuk’s praise. Because of his remark I looked at your Martin Lewis posts and some more of his work online. Spectacular! Especially if you know how hard it is to etch like that: there’s no going back; your drawing skills have to be superb. Unlike oil painting you don’t get to back the next day and wipe your mistakes away. Thank you for your posts. I did also see that the Brooklyn Museum had a show that incorporated some his work in 2012. Did anyone see it?
Anyway, I was wondering if anyone saw the terrific Bellows show(so much more than boxers, who knew?) that recently ended at the Met. There was one painting there titled “New York,” 1911. The Met said it was a view of Madison Square Park. A bunch of elderly New Yorkers and my mother and I stood in front of the painting trying to figure out from which point the painting had been observed. Did anyone else see it and figure it out?
March 1, 2013 at 2:08 am |
Thank you so much! I did see the Bellows show, what a treasure. But I don’t remember the Madison Square painting! Did anyone else go and perhaps see it?
March 2, 2013 at 5:36 pm |
i missed that bellows show and was very upset with myself for it.
March 1, 2013 at 2:04 am |
Love these!