Archive for the ‘Midtown’ Category

Hidden waterfalls in the tiny parks of Turtle Bay

August 25, 2014

New York has lots of lovely pocket parks that offer a hideaway from urban life.

But the stretch of East Midtown known by its wonderfully pastoral 17th century name, Turtle Bay, seems to have more of these patches of green than other neighborhoods.

Waterfallpaleypark

Even better, many of these parks have cascading waterfalls that drown out urban noise and heat and leaves us feeling calm and soothed. No need to head to Central Park for a waterfall fix—these do the trick.

Paley Park (top photo), on 53rd Street between Madison and Fifth Avenues (not technically Turtle Bay but close) has a back-lit waterfall, along with ivy-covered walls and locust trees. Financed by a foundation set up by William Paley, former chairman of CBS, it’s attracted quiet crowds since 1967.

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Carved out of a space surrounded by modern apartment buildings and old-school tenements is Greenacre Park, above, created by a foundation organized by a Rockefeller family member in 1971.

The park is designed to be such a break from urban life, photography isn’t allowed (but no one will stop you from taking pictures from the street).

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If the park with this circular wall of water has a name, I missed it. Wouldn’t it be lovely to live in the blue-purple house, with the sight and sound of falling water accessible from your terrace?

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Across the street from the United Nations on 47th Street and First Avenue is lush, secluded St. Mary’s Garden, part of Holy Family Roman Catholic Church.

It’s hard to see the benches and walkways along the sides, as well as the small waterfall that feeds into the pond on the left.

A city street photographer’s loners and misfits

August 18, 2014

Louis Faurer, a Philadelphia native born in 1916, made a name for himself as a photographer for top New York-based fashion magazines in the 1940s and 1950s.

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[Above, a still from a silent film Faurer shot in the 1960s called Time Capsule]

Yet he was captivated by the ordinary tide of unbeautiful people that passed him regularly on city sidewalks, at bus stops, under theater marquees.

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["Women Waiting," 1949]

Faurer turned his camera toward their faces—capturing raw, intimate portraits of the lonely, the haunted, the outcast, and the weird through the early 1970s.

Many of his images had a film noir feel, all shadows and silhouettes, highlighting the melancholy and chaos of urban life.

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[Title and date unknown, above]

He particularly focused on people he found in Times Square, where he walked every day in the late 1940s and was attracted to “the hypnotic dusk light,” quoted Christoph Ribbat in Flickering Light: A History of Neon.

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["Horn & Hardart Junkies," 1947]

In an era remembered for its conformity, Faurer sought out individual quirks and oddities. He captured dissonant, uncomfortable moments, but he never sought to exploit his subjects. His aim, as his photos reveal, was to show their humanity.

New York, 1971

[Above, "Chelsea Hotel," 1971]

FaurerphotoselfIn his 2001 obituary, The New York Times stated:

“For the catalog of a 1981 solo exhibition of his work at the Art Gallery of the University of Maryland in College Park, he wrote, ‘My eyes search for people who are grateful for life, people who forgive and whose doubts have been removed, who understand the truth, whose enduring spirit is bathed by such piercing white light as to provide their present and future with hope.”’

Louis Faurer, above. More of his images can be found here at this University of Pennsylvania page.

Fall fashion: must-have clothes for men in 1911

August 15, 2014

This week, dozens of thick September fashion magazines have hit newsstands, all celebrating the hottest trends and styles for fall.

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In 1911, fashion-forward men and the women who shopped for them had this Fall Style Book to guide them. That man holding the reins is wearing one incredibly long tan coat!

Interesting that the image is set in front of the 42nd Street main branch of the New York Public Library—the building had its dedication and grand opening just a few months earlier.

[Image: NYPL Digital Gallery]

Magic and motion of 1920s Broadway at night

July 28, 2014

It’s an enchanting night in Times Square in this colorful postcard, and the Paramount Building, with the Paramount Theatre at street level, takes center stage.

Opened in 1926 in an era of grand movie palaces, the Paramount captured the city’s attention and imagination.

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The lobby “was modeled after the Paris Opera House with white marble columns, balustrades, and an opening arms grand staircase,” explains Cinema Treasures. “The ceilings were fresco and gilt. . . . in the main lobby there was an enormous crystal chandelier.”

During World War II, the globe and clock were painted black, so potential enemy invaders couldn’t see.

The Paramount Theatre bit the dust in 1964, and the building is now used for offices. Here’s a much more sedate daytime version of the same stretch of Broadway just a decade earlier.

How Columbus Circle almost became Hearst Plaza

July 28, 2014

For miles up Broadway, New York pays tribute to its greatest newspaper and media figures, from Newspaper Row near City Hall to Herald Square, Greeley Square, and Times Square.

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William Randolph Hearst (right) must have realized this after he came to town in the 1890s.

HearstbuildingAlready a San Fransisco newspaper baron, he arrived to take over the New York Journal and build a media empire here too.

But waging war with against other papers with his sensationalist journalism wasn’t enough. He also began buying real estate at sparsely populated Columbus Circle, near the New York Journal offices (at left, in 1912).

His intention: to add to the map of the city something called “Hearst Plaza,” which would be the headquarters for his growing company and would rival Herald Square and Times Square in size and prestige.

Williamrandolphhearst“William Randolph Heart envisioned a headquarters building as early as 1895, and began purchasing huge amounts of property—in and around 57th Street and Eighth Avenue in the Columbus Circle area,” states the Hearst Corporation website.

He finally broke ground for a Hearst headquarters building on 57th Street and Eighth Avenue in the 1920s.

“The selection of this site was directly related to the commercial and cultural development in the Columbus Circle area and to Hearst’s intention to establish Hearst Plaza in the area.”

HearsttowerThe headquarters (above), a six-story Art Deco beauty with allegorical figures representing art and culture, opened in 1928.

But what happened to the great plans to turn Columbus Circle into a monument to his empire?

The Depression hit, and then World War II, both of which made a huge dent in the Hearst Corporation’s bottom line.

Columbus Circle didn’t need the Hearst name to thrive; it went on to become a bustling commercial center and gateway to the Upper West Side.

Hearst headquarters was built to support a skyscraper on top, in anticipation of the development of Hearst Plaza.

Newyorkjournal1898Yet wasn’t until 2006 when a skyscraper was actually completed there—the glass trapezoidal Hearst Tower (above).

Hearst did make one other contribution to Columbus Circle: he made the call for funds to build the Maine Monument, completed in 1913, honoring the battleship that exploded in 1898 off Cuba.

Fifth Avenue and the original Waldorf-Astoria

July 17, 2014

In late 19th century New York, Fifth Avenue reigned as Millionaires Row. But by the time this postcard was produced around 1910, the stretch of Fifth Avenue north of 32nd Street was shedding its reputation as a wealthy residential enclave.

The rich were migrating northward. Posh mansions were being razed to make way for commercial buildings, like offices and hotels.

Fifthavenue32ndstpostcard

No hotel was as extravagant as the original Waldorf-Astoria Hotel, the building on the left with the flag.

Waldorfastoria34thstreetviewBuilt as separate hotels in the early 1890s on the site of two former Astor family mansions, it was combined in 1897.

Times Shutter features a similar postcard, with some info about the hotel (it was the largest in the world, a gathering place for the rich and ostentatious, and the first to allow unchaperoned women!) as well a photo of the same stretch of Fifth today.

Today, the hotel is gone (the Empire State Building took its place two decades later), as is two-way traffic and that lovely streetlight on the left.

Gone too is Fifth Avenue with a quaint, unhurried feel.

[Another view of the Waldorf-Astoria, from 34th Street, right]

Two towers that almost replaced Grand Central

July 10, 2014

HyperboloidWhen Grand Central Terminal was built in 1913, the architects of the Beaux Arts train station expected it to be the base of a skyscraper someday.

In the 1950s developers proposed one. The tower design they commissioned had the space-age name the Hyperboloid: a wasp-waist, 80-story structure (at left) created by one of the century’s most innovative architects.

“Working for developers Webb & Knapp, I.M. Pei proposed an 80-story tower with a circular footprint and, thanks to a taper halfway up the shaft, an hourglass profile,” explains skyscraperpage.com.

Grandcentralmarcelbreuer“Its facade was crisscrossed by structural supports; overall the building resembled a bundle of sticks. At the base of Pei’s building, and again in its upper levels, the floors were left open and the structure was left exposed.

“Grand Central Terminal would have been demolished to make room for the tower, just as Penn Station was demolished a few years later to make room for Two Penn Plaza and Madison Square Garden.”

Plans for the Hyperboloid, of course, never came to pass. But it wouldn’t be the only tower proposed for the Grand Central Terminal site.

Air rights were sold to another developer in the 1960s, and architect Marcel Breuer came up with this (very Pan Am Building-like) skyscraper, which would sit on top of the terminal (at right).

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By then, Grand Central had been deemed a historic landmark by the Landmarks Commission. A fight that went all the way to the Supreme Court in 1978 resulted in Breuer’s tower getting permanently derailed.

[Second image: The Architecture of Additions, by Paul Spencer Byard, via City Review]

These tenements are always ready for July 4th

July 3, 2014

The iconic New York City walkup comes in all colors . . . but these are the only two I’ve ever seen that show off the red, white, and blue.

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This one is across the street from the Port Authority on 42nd Street. It’s the longtime home of Kaufman Army Navy Store, opened in the 1940s.

Why the American flag colors? A descendant of the store’s founder had the facade painted in 1969 as a “nod to the tradition of patriotism of military surplus stores from the 1950s,” quotes the New York Times in this story about Kaufman’s.

Redwhiteandbluetenementaveb

Not to be outdone, this tenement on Avenue B (aka, the “German Broadway”) and East Fourth Street wears its patriotic colors (plus a little gold) proudly.

Shooting James Dean all around New York City

June 30, 2014

JamesdeandennisstocktimessquareIn early 1955, after wrapping up his third and final movie in California, James Dean allowed photographer Dennis Stock to chronicle his return to his hometown in Indiana as well as his adopted city of New York.

East of Eden had yet to be released, and Rebel Without a Cause wouldn’t premiere until shortly after his death in September.

But Dean was a rising celeb, and in a story titled “Moody New Star,” Stock’s images appeared in the March 7, 1955 issue of Life magazine.

These photos of Dean looking introspective as he walks through Manhattan lmost 60 years ago are part of a more extensive collection available in the wonderful Life archives.

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Here’s Dean brooding in Times Square and another part of what looks like Midtown, with an old-school barber pole in the frame.

The photos helped solidify his image as an outsider before the public really got to see his onscreen persona.

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And then there’s this shot of him in his tiny studio apartment on the top floor of a brownstone on West 68th Street. It was Dean’s home in the early 1950s, when he was one of thousands of struggling young actors trying to make it in the city.

[Photos: Dennis Stock-Magnum/Life magazine]

The mystery quote on the Daily News building

June 27, 2014

DailynewsfacadeThe (former) headquarters for the New York Daily News, on East 42nd Street, is a 1930 skyscraper masterpiece.

The enormous lobby, with its illuminated revolving globe and compass points set into the floor, is an impressive monument to wonder and the bigness of the universe, as well as a nod to the newspaper’s global perspective.

Then there’s the huge facade framing the 39-story building’s main entrance.

Dailynewsbuilding1931This bas relief features the newspaper name, an urban cityscape, and a crowd of people, with this inscription: “he made so many of them.”

What does it mean?

It’s part of a quote attributed to Abraham Lincoln: “God must love the common people; he made so many of them.”

Sounds like an homage to the regular New Yorkers who made the Daily News, which got its start in 1919 as the city’s first tabloid, one of the nation’s biggest newspapers throughout the 20th century.

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At the time of the building’s opening, the News had an impressive circulation of 1.3 million. Now it’s roughly half that.


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