“Edward Hopper’s haunting realist canvas evokes an enigmatic emptiness that has become the artist’s trademark,” states the caption accompanying this 1924 painting on the website of the Chrysler Museum in Norfolk, Virginia.
“His sparsely populated New York cityscapes, bleak New England views, and lonely interiors share the same stark simplicity.”
“In New York Pavements Hopper used bold cropping, an elevated point of view, strong diagonal lines, and a simple, bleached palette to achieve an odd and detached effect.”
“From a bird’s-eye perspective, the only hint of narrative is the figure emerging from the lower left.”
It’s such an ordinary city scene yet so disquieting. Who is the nun with the baby carriage, and what neighborhood is this?