“I attempt to capture the layers and depth of the city’s environment, not paint it brick by brick,” stated painter Francis Criss.
The cleanness of his work is in stark contrast to Depression-era New York’s poverty and uncertainty.
Both City Landscape (1934), above, and Astor Place (1932), below, have the sharply defined geometric forms and austere, almost sanitized look characteristic of the Precisionist painters.
The Precisionists emerged in the 1920s and 1930s, and they focused on the urban landscapes of a growing, industrialized nation.
His style won’t resonate with everyone. But his New York street scenes—one of two nuns standing in front of today’s Kmart, the other of the Port Authority Building rising on lower Eighth Avenue—are instantly recognizable 80 years later.