Lines of laundry, a pigeon coop, a sunbather? It’s a very different neighborhood today than the one depicted in John Sloan’s A Roof in Chelsea, New York, painted in the 1940s.
“This is one of Sloan’s last renderings of the domestic city life he so loved to observe,” states this writeup from the Hood Museum at Dartmouth College. “He worked on the painting at intervals beginning in 1941.”
“Sloan was particularly drawn to the subject of women hanging out laundry on rooftops. He described his persistent attraction to this theme as ‘an urge to record my strong emotional response to the city woman, any woman running up colors of a fresh clean wash. Sun, wind, . . . blowing hair, unconscious grace give me great joy.’”
Here’s another Sloan painting of women, hair, and laundry—this time on a Cornelia Street roof.
“Full of light, movement, and brilliant color, this ebullient image stands in sharp contrast to some of Sloan’s more introspective works and the strident political illustrations he created earlier in his career.”