His impressionist paintings, veiled in twilight-like shades of blue and gray, reveal city’s beauty and enchantment.
And the Metropolitan Museum of Art calls him “the foremost chronicler of New York City at the turn of the century.”
[“Winter Day on Brooklyn Bridge”]
But you may never have heard of Frederick Childe Hassam—a popular and prolific painter in the late 19th and early 20th centuries whose work is still acclaimed, but perhaps not to the degree it deserves.
[“New York Street,” 1902]
After moving to New York in 1889, he fell in love with the city. It certainly shows. His depictions of the Gilded Age city may be his most striking, illuminating city streets, parks, and people with radiant strokes of color and light.
[“Cab Stand at Night, Madison Square”]
Hassam was not without critics. Some admonished him for not showing the struggle and hardship brought on by industrialization, while others questioned his so-called pedestrian subject matter.
“The man who will go down to posterity is the man who paints his own time and the scenes of every-day life around him,” Hassam said in 1892.
“Fifth Avenue in Winter,” above, was reportedly one of his favorites. It was painted from the studio space he rented on Fifth Avenue and 17th Street.
[“Snowstorm, Madison Square,” 1890]
Hassam’s moody, magical scenes of New York covered by snow show us a city very similar to the wintry New York of today.
Cabs wait for passengers, confident, fashionable young women stroll unescorted, and weary pedestrians in black hats and lace-up boots trudge through the snow on their way to and from Brooklyn.
Hassam painted wonderful scenes of rainy day New York too, like this one near Madison Square.
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