A 1930s artist’s claustrophobic New York Harbor

George Grosz made a name for himself drawing and painting caricatures of life in his native Germany during the postwar Weimar era.

But this Expressionist painter who helped lead the Dada movement left Germany in 1932 and relocated to New York City, turning his cynical eye on his adopted home city.

“New York Harbor,” from 1936, is his take on Depression-era Gotham. The colors are cool and the brush strokes thick, giving New York a tough, chaotic feel.

Grosz is like the gulls flying over the harbor. He’s observing this modern city of industry and power, a place that’s so consumed by progress it doesn’t have room for humanity…notice the total absence of people.

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