The bright colors and small figures of a Depression-era Midtown block

Eighth Avenue and 56th Street today looks nothing like it did when painter Lucille Blanch captured this otherwise ordinary block south of Columbus Circle 93 years ago.

Today, modern office buildings and apartment towers obscure the view of the Argonaut Building—the castle-like white structure that still stands down the block on Broadway and 57th Street. The enormous billboards are long gone, too.

The church below it, the flamboyant Broadway Tabernacle, met the wrecking ball in the 1970s. The tenement with the empty storefront next to the tire shop has also disappeared, replaced by a McDonald’s.

This stretch of West Midtown in the 1920s was known as the automobile showroom district, which explains the tire store and what look like car dealerships on the left-hand corner and in the middle of the block.

Lucile Blanch made a living as a painter, departing her Minnesota hometown to study at the Art Students League on West 57th Street on scholarship. She then became involved with the Fourteenth Street School, a group of artists with a social realist bent.

In 1930, she would have been 35 years old. Why she chose this corner to paint remains a mystery. But her depiction of the bright, colorful cityscape dwarfing the small, low-key residents might be saying something about the power of the urban environment over its residents caught in the toll of the Depression.

(Hat tip to Village Preservation’s Off the Grid blog, which included this painting recently in a post about unheralded female artists living and/or working South of Union Square.)

[Second image: Peter A. Juley/Wikipedia]

Tags: Columbus Circle NYC 1930s, Lucile Blanch Eighth Avenue and 56th Street, Lucile Blanch Painter New York City, New York City in 1930, Paintings NYC 1930s