When Andrew Carnegie decided to build a mansion for himself and his family on Fifth Avenue and 91st Street, he told his architects to construct “the most modest, plainest, and most roomy house in New York,” according to a 1971 Landmarks Preservation Commission report.
The mansion, completed in 1903, did not disappoint the industrialist-turned-philanthropist. At four stories and with 64 rooms surrounded on two sides by gardens, it was certainly roomy.
And while modest and plain are in the eye of the beholder, Carnegie’s Georgian-style house displayed more modesty and restraint than many of the pompous marble and stone castles going up on Fifth Avenue at the time.
But even an elegant mansion built in the style of an English country manor is likely to be influenced by the new design trends coming out of Europe at the turn of the century. The glass and iron canopy over the front entrance, with its curvy shape and floral motifs, seems to be a nod to Art Nouveau.
Though it never made a huge splash in New York City, Art Nouveau design prevailed in many European cities in the early 1900s. Buildings, clothing, and objects were designed with graceful, flowing lines and curlicues that mimicked flower stems, petals, and other forms found in nature.
The canopy is described as “Tiffany-style” by Barbaralee Diamonstein-Spielvogel’s The Landmarks of New York, Fifth Edition. Based on early images and the 1910 postcard, above, it appears to be part of the original house Carnegie occupied until his death in 1919. (His wife resided in the home until she passed away in 1946.)
Whether the craftsman who created it was inspired by Art Nouveau or approached it with a different influence, the canopy adds a delightful touch to a Gilded Age mansion that since 1976 has been the home of the Cooper-Hewitt Museum, according to The Landmarks of New York.
Very fitting that a world-class design museum occupies a mansion that inside and outside reflects such design and style.
[Third image: MCNY x2011.34.2869]
Ephemeral New York 