The coal company helped the city survive winter

Stuart Davis was a New York artist of the 20th century best known for his playful Modernist paintings filled with bright colors and geometric shapes. But early in his career, he was influenced by the Ashcan School—and he stuck with the social realist style with this 1912 piece, Consumer Coal Company.

It’s a powerful painting that invites viewers to feel the sharp snap of snow whipping around a low-rise block somewhere in New York City. (I’m guessing Lower Manhattan, see the Federal-style houses with the dormer windows.)

Forced to work in the blustery weather, the men from the coal company shovel a load into a sidewalk coal hole, where it can be transferred to the furnace to keep residents from freezing to death.

It probably wasn’t Davis’ intention when he painted this scene to provide insight into how life was lived in New York in 1912. But the painting immortalizes the role the coal companies played in New York winters—when Gotham was still largely dependent on coal-burning furnaces (not to mention horse-pulled wagons).

Blue snow on the Battery in wintertime

No one paints New York City in the winter, in all of its blue and white harshness and beauty, quite like George Bellows.

Looking at “Blue Snow, the Battery,” from 1910, you can just feel the chill coming off New York Harbor, and how much colder it must be for the men standing in those shadows.

Summer night enchantment on Riverside Drive

Ashcan School painter and social realist George Bellows recreates the magic and mystery of one moment in time from a summer’s night in 1909.

What a glow from both the street lamp and the moonlight! The light and colors are similar to this Bellows’ painting, done in 1920 closer to his home turf inside Gramercy Park.