Posts Tagged ‘Childe Hassam’

A “glorious display of pageantry” on Fifth Avenue

June 29, 2020

Imagine if Fifth Avenue today was decked out in American flags as it was on July 4, 1916—with the Stars and Stripes flying from the roofs and facades of so many buildings.

Impressionist painter Childe Hassam captured this scene, likely near his longtime studio at 95 Fifth Avenue at 17th Street.

Massachusetts-born Hassam, a successful and accomplished artist in his era, gave the painting an illustrious name: “The Fourth of July, 1916 (The Greatest Display of the American Flag Ever Seen in New York, Climax of the Preparedness Parade in May).”

The painting demonstrates how “New Yorkers rallied with patriotic fervor to support the ‘preparedness movement’ in anticipation of the nation’s inevitable entry into the Great War in Europe,” states the New-York Historical Society, which was gifted the painting in 2016.

“Advocates of the preparedness cause staged parades in cities all over the country from 1914 until 1916. One such parade in May 1916―up Broadway and Fifth Avenue, led by an enormous, 95-foot flag and lasting over 11 hours―inspired Hassam to begin working on a series of works, which he painted over the course of three years from 1916 to 1918.”

Hassam supported the US entry into the war; he was a francophile who studied and lived in Paris, like many of his contemporaries.

[Above left, “The Avenue in the Rain,” 1917; at right, “Flags on the Waldorf,” 1916]

A grander parade on July 4, 1916 inspired “The Fourth of July, 1916,” described by the New-York Historical Society as a “glorious display of pageantry.”

Hassam ultimately completed about 30 works in his flags series, depicting the US flag on other city buildings and on Allies Day in May 1917 (above).

If you like his flags, you must see his evocative streetscapes that capture the beauty and poetry on day-to-day life in our metropolis.

Spring rain and black umbrellas in Union Square

April 2, 2018

Few painters capture the enchantment of New York in the rain like Childe Hassam, an American Impressionist who had studios at Fifth Avenue and 17th Street and 95 Fifth Avenue in the 1880s and 1890s.

“Rainy Late Afternoon, Union Square” captures the southern end of the park looking very much as it does today, with rain showers turning the pathways into seas of black umbrellas set against gray skies and a hint of green lawn.

Hassam painted the city in all seasons, but his images of New York in rain and snow are especially magical.

A Gilded Age painter’s springtime New York

May 23, 2016

I used to think that Frederick Childe Hassam’s most evocative paintings were his moody, poetic winter scenes of turn of the century New York.

HassamLowerFifthAvenue1890

But his Impressionist renderings of Manhattan in springtime—lush parks, rainy blue twilight, and exaggerated pastel skies—are just as striking.

Hassamfifthavenuenocturne1895

“Lower Fifth Avenue,” at top, depicts the lights and shadows of what appears to be an early spring day in 1890, warm enough to do without overcoats and for leaves to appear on fledgling trees.

Hassamunionsquarespring1896

“New York is the most beautiful city in the world,” Hassam reportedly said, citing Fifth Avenue as the city’s loveliest street. “Fifth Avenue Nocturne,” from 1895, gives us sidewalks slicked with rain and illuminated by electric lights.

Union Square is an oasis of lush greenery amid the backdrop of a gray city in 1896’s “Union Square in Spring.”

Hassamwashingtonsquarearch1890

The stretch of Fifth Avenue from Madison Square to Washington Square was Hassam’s milieu; no surprise, as he had studios at Fifth and 17th and 95 Fifth Avenue in the 1880s and 1890s.

“Washington Arch, Spring,” from 1890, shows what Hassam called “humanity in motion,” which he considered his primary subject and theme.