So begins Frank O’Hara in “A Step Away From Them,” one of his witty, observational Lunch Poems.
The name comes from the time of day when they were supposedly written: during O’Hara’s lunch hour in Midtown, when he worked as a curator at the Museum of Modern Art.
Born in Baltimore and a graduate of Harvard, O’Hara arrived in the city in the early 1950s, a time when abstract expressionist painters and Beat poets were hitting their stride.
And both were meeting and drinking at bars like the San Remo and the Cedar Tavern (top photo; O’Hara is in the center), next door to O’Hara’s apartment at 90 University Place (left), which he shared with then-partner Joe LeSueur.
The Lunch Poems were published in 1964, and they are of their time, with references to no-longer-there restaurants and long-gone starlets and sometimes a campy sensibility.
But the New York O’Hara writes about—the culture, the noise, the crowds, the way the Sixth Avenue bus “trunk-lumbers sideways” so full of people, is still the city of today.
In “Music,” he references Grand Army Plaza by Central Park and the statue of William Sherman on a horse, led by an angel:
“The Day Lady Died” is about Billie Holiday:
“I just stroll into the PARK LANE
Liquor Store and ask for a bottle of Strega and
Then go back where I came from to 6th Avenue
and the tobacconist in the Ziegfield Theater and casually ask for a carton of Gauloises and a carton
Of Picayunes, and a NEW YORK POST with her face on it”
O’Hara wrote other poems too, and he also made a name for himself as an art critic.
The Lunch Poems, though, were his last collected volume. He died prematurely after being hit by a beach taxi on Fire Island in 1966 when he was only 40.
“oh god, it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much”
[Photo of O’Hara in front of MOMA: newyorkschoolpoets.wordpresscom]