Though he spent much of his life in his beloved Paris, Alfred Henry Maurer was a New Yorker from beginning to end.
Born in the city in 1868, he was the son of a German immigrant who worked as a talented lithographer for Currier and Ives.
After studying with William Merritt Chase, Maurer took off for Paris, the center of the art world at the time, where he worked in a mostly realist style, depicting beautiful women and cafe life in the city of light.
Briefly, Maurer returned to New York at the turn of the century. He won acclaim and awards, and in 1901 and 1902 he painted these enchanting scenes of New York’s Gilded Age leisure class at play.
Two paintings depict Rockaway Beach, the popular amusement playground developed in the early 1900s.
Another painting shows us a carousel in Brooklyn, with mothers and children watching the painted wooden horses under darkening skies.
Maurer (in a self-portrait, right) didn’t stay in New York long—nor did he stick to his usual realist style.
Back in Paris again, he abandoned realism in favor of Matisse-influenced Modernism, doing abstract portraits, still lifes, and landscapes. Examples of his later works can be seen here.
World War I forced him back to his family apartment in New York City, where he continued to paint and take part in exhibitions, but garnered little of the critical acclaim he’d had as a younger man.
He died in Manhattan in 1932, committing suicide by hanging in his father’s West 43rd Street home.