The short, forgotten life of New York City’s first skyscraper

In 1889, a slender building was unveiled on a commercial stretch of Lower Broadway, snugly situated between two older structures.

Rising 11 stories, it wasn’t the tallest tower in the city. Nor did it win praise for how it made the most of its 21.5-foot frontage with a graceful Romanesque arched entrance. And it wasn’t financed by a Gilded Age business that planned to move in and make it company headquarters.

But the Tower Building, steps away from Bowling Green at 50 Broadway, has a singular distinction: it’s considered by many historians to be New York’s first skyscraper—defined as a building of 10 or more stories supported not by exterior masonry walls but by metal cage construction, according to the Skyscraper Museum.

Technically, the Tower Building’s iron skeleton went up only seven stories; the top four floors were constructed out of the more traditional masonry, which was used to build almost all of the city’s buildings up until the 1880s.

But the city was growing not just northward but skyward as well, with the addition of the Brooklyn Bridge and elevated trains rumbling up and down major avenues. The new technology of creating an iron and later steel skeleton allowed a building to support many floors while also being fireproof. Using it in an expanding city short on space made sense, particularly to architect Bradford Lee Gilbert.

Gilbert (above, in 1904) made a noteworthy career for himself building railroad depots, houses, stables, and office buildings. In New York City, his work included the still-standing YMCA building at 222 Bowery, completed in 1885, and a remodeling of the original 1871 Grand Central Terminal, which lasted until 1913.

In 1887, he was tapped to design an office building for a silk importer, but the importer was only able to purchase the 21.5-foot lot at 50 Broadway. Gilbert struggled to figure out how he could create a structure wide enough for office space, plus room for elevators and staircases.

His experience working on rail depots gave him the answer.

“In 1905, [Gilbert] told The New York Times that after he wrestled with the problem for months, the solution came to him ‘like a flash’: He could support both the floors and the exterior walls on a concealed iron skeleton, like an iron bridge standing on end,” wrote Christopher Gray in the New York Times in 1996.

“The skeleton principle meant that the exterior walls, which were supported independently at each floor, did not have to increase in width in relation to the building’s height. The exterior walls thus became mere curtains, resting on the beams of each floor.” The iron skeleton allowed for more floor space and windows.

As the Tower Building joined the cityscape, skeptical New Yorkers predicted it wouldn’t stand.

“When high winds blew during construction, crowds of onlookers gathered (at a safe distance) waiting for the radical new structure to fall over,” according to a PBS/American Experience article.

“It was only when the architect himself climbed to the peak of the building and declared it perfectly safe that they were convinced otherwise.”

Though metal cage construction had been used to create Chicago’s Home Insurance Building in 1885, Bradford brought the technology to New York, paving the way for the first generation of skyscrapers: “It was this small beginning that made possible such giants as the Woolworth, Singer, and Metropolitan Towers and the coming Pan Am building,” wrote The Sun in January 1914.

The Sun article took a wistful look at the Tower Building (headline above), which was being dismantled the day the article appeared. Part of the Lower Broadway commerce canyon for a mere 25 years, it was replaced by a 37-story 1920s office tower (above in 2017).

“The story of the old Tower Building is one of the best illustrations that can be given of the rapidity with which New York City has moved during the last quarter century,” stated The Sun. “It came as an experiment, gained success in spite of general ridicule, and finally formed a beginning for all high buildings of recent times.”

“Now it has outlived its usefulness. It cannot compete with the giants of its own family and, like all ancestors, it is to be laid away in its grave, which in this case is the second hand material man’s yard.”

[First image: New-York Historical Society; second image: New-York Historical Society Robert L. Bracklow Photograph Collection; third image: Dickinson College Archives and Special Collections via New York Times; fourth image: New York Sun, 1914; fifth image: Commercial Property Executive; sixth image: New-York Historical Society]

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9 Responses to “The short, forgotten life of New York City’s first skyscraper”

  1. Mykola Mick Dementiuk Says:

    Hmm, I wonder what the small 3 story building next to it was?

  2. tetshill Says:

    I believe that the style of the Tower Building might be best described as Eclectic Romanesque, but certainly not Gothic.

  3. andrewalpern Says:

    I never before saw those great photos of 50 Broadway. Although the Tower Building had a short life of 25 years, the Gillender Building at the northwest corner of Wall and Broad Street bit the dust after only 13 years. And it had the distinction of having been erected by a woman. The massive entry arch of 50 Broadway is indeed distinctive, but it really ought to be described as Romanesque rather than Gothic. It has a round arch rather than the pointed one that is the distinctive feature of Gothic design.

  4. jms Says:

    Except … the Tower Building was held up by iron (both wrought- and cast-), not steel — and, as you point out, for only the bottom seven of its 11 floors. As Donald Friedman, quoted at Skyscraper.org, states, “the side walls were bearing at the top four levels of steel framing, but were carried below that point on a frame consisting of wrought-iron beams and cast-iron columns.” (It’s not clear to me from that exactly what role the “steel framing” played in the top four floors, which everyone seems to agree were masonry and load-bearing.) Here (https://thetowerbuilding.blogspot.com/) is a nifty site devoted to this single building.

    I have read that NYC’s first skyscraper using 100% steel-frame construction was the American Surety Building at 100 Broadway, thankfully still standing.

    Hurrah for obscure skyscrapers!

  5. velovixen Says:

    I am no expert on architecture, but I know a bit about the Medieval and Renaissance eras. That said, I would agree with you.

    It’s interesting that early skyscrapers, whether in their overall designs or détails, reflected the architectural and design trends of the times in which they were built. This building was one example. Later skyscrapers like the Chrysler and Empire State Buildings and Rockefeller Center, were Art Deco. Then there were the glass and steel boxes and, finally, the current World Trade Center, which seems to have Frank Gehry influences.

    (I have to admit that I was prepared to hate whatever was built on the WTC site, but I like the new building.)

  6. Walter Ocner Says:

    Nice office, anyone see the skull image on the left?

  7. Ted Glaessgen Says:

    My dad worked for the sun until it was acquired by another newspaper. Love seeing them included in your articles.

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