Imagine the Upper East Side along the East River from the 1700s until roughly the Civil War.
In a time of booming population and rapid development, this stretch of Gotham remained sparsely populated, dotted with grand old estate houses surrounded by woods, streams, and mostly unspoiled countryside.
The Astors, Rikers, and Gracies are among the Old New York families who built unpretentious, comfortable wood-frame estate houses here, with characteristic wide porches to better enjoy the river breezes and beautiful views.
Almost all of these estates homes have disappeared, the pretty houses and spacious grounds subsumed by the march of urbanization through the end of the 19th century.
But one 1960s apartment building has found a way to memorialize the country life that existed on its footprint a century earlier.
The building is the Pavilion (below), a white-brick, luxury rental with a fountain in front of its circular driveway. It’s exactly the kind of postwar apartment house you wouldn’t expect to have a floor-to-ceiling lobby mural marking a long-gone era in Manhattan history.
Yet there it is behind the front desk: the image of an 18th or 19th century estate house overlooking a gentle East River, a sailboat on the water, pavilion on the grounds, and trees swaying in the breeze.
The artist behind the mural isn’t named, and a simple plaque states “nearby country mansion and pavilion, circa 1850.”
It’s a wonderful old-school vision inside a modern apartment house. But whose mansion was it?
The Pavilion is at 500 East 77th Street, between York Avenue and Cherokee Place. The nearest estate house in pre-Civil War Manhattan was the Riker Mansion, once “at the foot of 75th Street East River,” per the caption on the above illustration, from 1866.
The mural, then, likely honors the Riker mansion. But the porches are dissimilar, and the Riker mansion appears to have a third floor of dormer windows in the 1866 illustration.
Perhaps the artist took liberties with the image of the mansion, combining features from other illustrations—and from Gracie Mansion on 88th Street and East End Avenue, the only one of these country houses to still exist (above)—to create a composite representation of a type of house and way of life that is lost to the ages.
[Top image: NYPL; fourth image: NYPL]
Tags: NYC Country Estates Before Civil War, NYC Country Mansions 19th Century, Riker Mansion East River, Riker Mansion NYC, The Pavilion York Avenue NYC
November 28, 2022 at 6:08 am |
I have had dreams of what Manhattan and the surrounding area must have been like 250-300 years ago, the enticing surroundings inviting settlement and the natural transportation system (the rivers and estuaries) to enhance trade and development. I appreciate getting insight from your posts on what the likely reality was.
November 28, 2022 at 6:50 am |
I probably wouldn’t survive but a few days in old Manhattan. The old houses are nice to read about but give me NY of the 1950-60-70s that’s more understandable and livable to me.
November 28, 2022 at 1:08 pm
I’ve been reading ‘countrypaul’ & ‘Mick’ for years and enjoy their comments. Two completely different personalities.
November 28, 2022 at 3:29 pm
I agree with that Tom, different perspectives but both welcome and insightful!
November 28, 2022 at 3:41 pm
Thanks, all of you. ENY is the best and most enjoyable history class for which I never got credit!
November 29, 2022 at 12:31 am |
The Arch-Brook Mansion was built by Judge Richard Riker in 1811.
http://daytoninmanhattan.blogspot.com/2013/06/the-lost-arch-brook-mansion-east-75th.html
November 29, 2022 at 12:35 am |
Riker is a rather notorious figure in 19th century history.
“[…] Riker presided over criminal cases in a stately judicial building. The son of a US congressman and the descendant of a prominent Dutch family, Riker had been a district attorney, a second in a number of duels, a member of the New York State Assembly, and a prominent Democratic lawyer in a long and distinguished career. […] Riker went on to serve the city and the state in a number of important political and legal roles, from a committee on the completion of the Erie Canal to the position of recorder.
“[…] Riker had already been serving as the city’s recorder for more than five years. Unfortunately for the city’s Black residents, one of the chief responsibilities of the recorder’s office was to hear cases of people accused of being runaways from southern slavery. Dragged before Riker at all hours of the day and night, accused runaways found themselves before a judge known to sympathize with the South and slaveholders. In fact, Ruggles had publicly named Riker as a key cog in what Ruggles had branded the New York Kidnapping Club in a newspaper editorial. With little more than the word of a white person, and with little concern as to whether the accused was actually a runaway or had been born free, New York’s Black men, women, and children fell prey to kidnapping. […]”
https://crimereads.com/the-kidnapping-club-that-terrorized-african-americans-in-19th-century-new-york/
November 30, 2022 at 2:33 am |
The detail in the article about Arch-Brook is fascinating – thank you!
December 1, 2022 at 1:55 pm
Yes, very enlightening! Thank you Bob.