John Sloan paints many moods of McSorley’s Bar

McsorleysbarjohnsloanBeing ensconced inside a dark bar with a pint and good conversation is many a New Yorker’s  idea of heaven.

John Sloan may have felt that way too.

His famous 1912 painting “McSorley’s Bar” depicts working-class customers comfortably drinking around a wood bar (with bartender Bill McSorley, son of the original owner, who founded the East Seventh Street ale house in 1854), wiling away the hours.

It’s his most renowned McSorley’s painting, but not the only one. Sloan completed at least three more, each capturing various glimpses of loneliness and whimsy and highlighting the small moments of pleasure and respite in a workingman’s life.


“McSorley’s Back Room” also dates to 1912. “The hushed, contemplative mood of this painting echoes Sloan’s description of the bar as an oasis ‘where the world seems shut out—where there is no time, nor turmoil,'” states the Hood Museum website, quoting Sloan.

“The tavern’s founder was no longer living when Sloan discovered the place, but through this painting and a related etching Sloan appears to pay homage to John McSorley, who, according to his son, always sat there in the sun.”

In 1928, Sloan memorialized the dozen cats living at the bar in “McSorley’s Cats.” Could that be bartender Bill McSorley again, with cats badgering him for food?


With Prohibition still the rule of law, Sloan painted “McSorley’s Saturday Night” between 1928 and 1930. States the McSorley’s website: “everyone seems to have a mug in his hands.”


Sloan moved to New York in 1904 and spent many years depicting the city’s moods, from joy to isolation.

As for McSorley’s, this dusty old saloon, which famously refused to serve women until a court order in 1970, has been memorialized many times in art and literature, most famously by Berenice Abbott, Joseph Mitchell, and e.e. cummings.

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12 Responses to “John Sloan paints many moods of McSorley’s Bar”

  1. Sarah Perry-Correia Says:

    Wonderful. Have shared on Facebook.

  2. colemining Says:

    Love McSorely’s! One of my favourite places to visit when in NYC.

  3. Robert R Says:

    Interesting how all the men have their hats on. Since no ladies are present, they need not follow proper decorum.

  4. ephemeralnewyork Says:

    I didn’t even notice the hats…perhaps they kept them on out of habit?

  5. Joe R Says:

    There’s a great history of McSorley’s in Joseph Mitchell’s terrific collection of New Yorker articles named “Up in the Old Hotel”. It’s called “McSorley’s Wonderful Saloon” and it’s the first article in a great collection of reports of mid-century New York. The whole book will be of great interest to any followers of Ephemeral New York.

  6. Ken Says:

    McS still smells of sawdust and puke.

  7. A dazzling sunset from a West 23rd Street roof | Ephemeral New York Says:

    […] West Twenty-Third Street,” completed in 1906, is another evocative take on the city by John Sloan, with a solitary figure, dramatic sky, and representations of daily life: laundry on a […]

  8. The day McSorley’s bar finally admitted women | Ephemeral New York Says:

    […] John Sloan’s paintings (above) depicted a warm, old-time tavern with  mahogany bar, resident cats, and men lifting pitchers of ale in cheer . . . or drowning […]

  9. Shaun Hervey Says:

    Just finished reading Joseph Mitchell’s essay on McSorley’s. Great to see the paintings.

  10. A moment in McSorley’s by an Impressionist artist | Ephemeral New York Says:

    […] the most famous was John Sloan—who painted various scenes of both dark moods and high spirits inside this former working-class Irish saloon in today’s East Village from 1912 to […]

  11. Greenwich Village from John Sloan’s rear window | Ephemeral New York Says:

    […] that featured cats—this Ashcan School founder memorialized a few of the dozen cats living at McSorley’s Bar on East Seventh Street in “McSorley’s Cats,” from […]

  12. Sue itri Says:

    Women were not permitted in this bar until 1970’s, that’s why there are none in his paintings.

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