But she sure was a colorful one, hanging out with Walt Whitman, Ada Clare, and other bohemians at Pfaff’s saloon on Broadway and Bleecker Street and earning notoriety in a tawdry play that required her to appear naked on a horse.
She spun many tales about her origins, but Adah may have been born Ada Berthe Theodore to mixed-race parents in New Orleans in 1835, according to Rebel Souls, Justin Martin’s wonderful book chronicling New York’s 19th century bohemian crowd.
To support her family, she became a New Orleans chorus girl, then joined a traveling circus.
After a few marriages, some theater work, and a conversion to Judaism, she arrived in Manhattan, taking roles at the Chatham Theater and working at the Canterbury Concert Saloon on Broadway in today’s Noho.
She was fearless, sensual, acrobatic, and gorgeous—all of which helped her land her big break: the lead in Mazeppa (above), a play based on a Byron poem about a 17th century Cossack.
Menken would play the title role, requiring her to wear a body stocking for a pivotal nude scene during which she was strapped to the side of a horse.
“The audience was shocked—scandalized—horrified—and delighted!” states one source.
A huge hit, Mazeppa toured the nation before landing on Broadway in 1866 at Wood’s Theater at 514 Broadway.
Adah never abandoned her literary aspirations, publishing a book of poems in 1868 dedicated to Charles Dickens.
“Although world-renown because of her appearance in Mazeppa, Menken’s deepest desire was to be known as a serious poet,” states jewishvirtuallibrary.org.
She maintained her friendship with Whitman and the Pfaff’s crowd and also became close to Dickens, Dante Gabriel Rossetti, Alexandre Dumas, and Algernon Swinburne.
Adah was a sensation during her life, but she died young, succumbing to tuberculosis and peritonitis in Paris in 1868.
[Bottom photo by Napoleon Sarony]