If New York had to nominate one street as its most rock-bottom skid row ever, it would probably have to be the Bowery. Not the Bowery of 2009, of course, with its influx of luxe hotels and boutiques.
I’m thinking of the Bowery of 1909, where down-on-their-luck men stood on bread lines and passed time in 15-cent hotel rooms, as these Library of Congress photos show.
If a man found himself on the Bowery, that was pretty much it for him. He’d sunk as low as you could go, and things weren’t going to get better.
Theodore Dreiser understood this when he wrote Sister Carrie. It’s an underrated turn-of-the-century New York novel chronicling the rise of a young, ambitious actress (kind of a Carrie Bradshaw of the 1890s) juxtaposed with the fall of her older common-law husband.
Sister Carrie ends with the husband, the unemployed, weakened, and abandoned Hurstwood, committing suicide in a Bowery flophouse:
“Hurstwood laid down his fifteen cents and crept of with weary steps to his allotted room. It was a dingy affair—wooden, dusty, hard. A small gas-jet furnished sufficient light for so rueful a corner.
“‘Hm!’ He said, clearing his throat and locking the door.
“Now he began leisurely to take off his clothes, but stopped first with his coat, and tucked it along the crack under the door. His vest he arranged in the same place. His old wet, cracked hat he laid softly upon the table. Then he pulled off his shoes and laid down.
“It seemed as if he thought for a while, for now he arose and turned the gas out, standing calmly in the blackness, hidden from view. After a few moments, in which he reviewed nothing, but merely hesitated, he turned the gas on again, but applied no match. Even then he stood there, hidden wholly in that kindness which is night, while the uprising fumes filled the room. When the odour reached his nostrils, he quit his attitude and fumbled for the bed.
“‘What’s the use?’ he said, weakly, as he stretched himself to rest.”
Tags: bowery, Bowery flophouse, Bowery Mission, bread lines in New York City, Sister Carrie, skid row New York City, Theodore Dreiser
September 30, 2009 at 11:48 am |
I read “Sister Carrie” earlier this summer. Well written and descriptive of old New York, but SOOO depressing.
September 30, 2009 at 1:41 pm |
Another great book by Dreiser, though on another topic, is ‘An American Dream.’ I love huge books, man, you can be caught up in it for weeks…
September 30, 2009 at 2:17 pm |
As depressing as it is, especially once they get to New York, it’s such a timeless book. There are millions of Carries and Hurstwoods in this city.
September 30, 2009 at 5:44 pm |
all my youth the bowery was synonymous with the dead end, and it’s hard to imagine it any other way. i was amazed when i read in luc sante’s Low Life that it was the theater district in the 19th century, and am amazed now when i see it gone boozhwah.
September 30, 2009 at 6:34 pm |
[…] Carrie, a novel written by Theodore Dreiser at the turn of the century, further affirms the Bowery as skid row. A suicide in a Bowery flop house [Ephemeral […]
October 1, 2009 at 4:56 pm |
[…] on the old days of the Bowery. [Ephermeral New […]
July 28, 2016 at 6:48 am |
[…] Anderson resided in a one-room basement flat at number 12. Theodore Dreiser took an apartment at number 16 a month later (bottom photo, center) and began An American Tragedy […]
December 11, 2017 at 6:47 am |
[…] wrote Theodore Dreiser (below photo) around the turn of the last century, in a dispatch chronicling New York’s […]
December 11, 2017 at 7:07 am |
[…] wrote Theodore Dreiser (below photo) around the turn of the last century, in a dispatch chronicling New York’s […]
December 11, 2017 at 8:23 am |
[…] wrote Theodore Dreiser (below photo) around the turn of the last century, in a dispatch chronicling New York’s poorest, […]
July 22, 2022 at 3:18 am |
[…] 1900, Dreiser would publish Sister Carrie, his first novel, and establish himself as a leading American author. Now, he was an anonymous observer without […]