Archive for the ‘West Village’ Category

The stillness and solitude of a New York rooftop

June 1, 2015

Few artists convey the disquieting solitude of city life like Edward Hopper, as he does here in “Untitled (Rooftops)” from 1926.

Hopperuntitledrooftops

Hopper, who worked out of his studio on Washington Square until his death in 1967, was fascinated by urban scenes: “our native architecture with its hideous beauty, its fantastic roofs, pseudo-gothic, French Mansard, Colonial, mongrel or what not, with eye-searing color or delicate harmonies of faded paint, shouldering one another along interminable streets that taper off into swamps or dump heaps.”

A historic “sip-in” at a West Village bar in 1966

June 1, 2015

The Stonewall Riot on June 28, 1969 is often cited as the beginning of the gay rights movement: As police arrested employees and patrons of Christopher Street’s Stonewall Inn for serving liquor without a license, crowds threw rocks at the cops, and the event set off days of protest.

Juliussipin

But three years earlier there was another, little-known protest one block over on Tenth Street, a precursor to Stonewall that challenged a state law about serving alcohol to gays.

It happened at Julius, the circa-1826 tavern at 156 West 10th Street. The place has operated as a bar since 1867, and it’s been called the longest-running gay bar in New York, though it’s unclear when it went from being a favorite of Longshoremen to a place favored by gay men.

Julius

This description of Julius from a 1966 guidebook has it that it’s been attracting “improper bohemians” since the 1930s, though the bar website says the 1950s. The “Dirty Julius” nickname came during its days as a speakeasy.

Juliusbar2008wikiIn any event, the protest came about because the Mattchine Society, an early national gay rights organization, decided to challenge a New York state law that prohibited bars from serving disorderly patrons.

At the time, simply being gay was considered grounds for being disorderly. So on April 21, 1966, a small group of men took action.

“With reporters in tow, four activists declared they were gay and asked to be served at Julius’,” states Off the Grid, the Greenwich Village Society of Historic Preservation’s blog.

JuliusNYTheadline“While Julius’ was a historically gay bar, they had recently been raided, which meant they were under observation.”

“Their denial of service helped launch a court case, which declared that the New York State Liquor Authority could not stop service to gay patrons.”

Julius is still in the West Village, of course; an old-school time machine of a tavern with beer barrel tables stamped “Jacob Ruppert” (ostensibly from Ruppert’s turn of the century Yorkville brewery) and an unpretentious 1950s feel.

[Top image: Julius’; third: Wikipedia; fourth: New York Times headline April 1966]

West Village modern brownstone makeovers

April 13, 2015

A big part of the New York’s beauty are the rows and rows of brownstones, with classic 19th century features such as a high front stoop and enormous parlor floor windows.

Modernbrownstonegreenwich

But every so often you come across a modernized version of the iconic city residence. The futuristic redesign or unique facade can be creative and impressive . . . or leave you wondering what the designers were thinking.

Modernbrownstonehoratio

That’s the case with this former brownstone on Greenwich Street east of Gansevoort Street, with a front made of glass and what looks like a sheet of steel stretching down the facade. It’s a novel way to block out the sun.

West13th8thave1929Around the corner on Horatio and Greenwich Streets is this three-story residence.

The brick gives it a 19th century feel, but the cutouts on the second and third floor are an interesting touch.

Then there’s this modernized home on West 13th Street between Eighth and Ninth Avenues, near where West Fourth Street ends.

In its earlier life, it was a three-story walk-up, not a brownstone, as this 1929 photo from the New York Public Library reveals (it’s taken the place of the first building on the left).

Now it’s very New York in the 21st century, sleek and trendy . . . and fittingly with a blow-dry bar right downstairs.

Modernbrownstone13thstreet

Check out other bizarre brownstone makeovers across Manhattan.

Holdout buildings that survived the bulldozer

February 16, 2015

They’re the survivors of New York City real estate—the walkups and low-rise buildings now dwarfed by shiny office towers and more contemporary residences.

Holdoutbuildinggreenwichvillage

Each building probably has a different backstory that explains how the wrecking ball was avoided.

Maybe an owner refused to sell for sentimental reasons. This lovely Greenwich Village brownstone, sandwiched between two tall apartment houses above, looks like it could have been one person’s longtime romantic hideaway.

 Holdoutbuildingchelsea

Or perhaps an owner tried to hold out for a bigger offer, until a developer realized it wasn’t worth the payout anyway. That might have been in the case of this one-story space wedged between a 19th century tenement and 21st century box on Tenth Avenue.

 Holdoutbuilding19thstreet

And thanks to real estate rules governing landmark structures and historic districts, some of these buildings probably couldn’t be torn down, like the gorgeous carriage house on a Gramercy side street.

Holdoutbuilding60thstreet2

It’s hard not to root for these underdogs. This ivy-covered walkup on East 60th Street gives bustling 59th Street near Bloomingdale’s the feel of a smaller-scale city.

Holdoutbuildnigsantander

Doesn’t this stately red townhouse do a good job breaking up the monotony of a block of Murray Hill terraced high-rise apartment buildings?

Holdoutbuildinguws

I can’t be the only New Yorker happy to see a Gilded Age limestone mansion holding its own in the middle of a stately Upper West Side block.

A piece of the 1830s city on West Fourth Street

January 26, 2015

In 1894, New York University tore down the 1835 Gothic Revival beauty that was the school’s main building.

Foundersmemorial

This lovely structure on the east side of Washington Square had housed all of the college’s functions.

Foundersmemorialbuilding1850sFor six decades, it anchored the college community and watched the neighborhood go from posh and stylish to more bohemian and rougher around the edges.

By the 1890s, NYU had decided to move its undergraduate school to the Bronx, and the main building had outlived its usefulness.

Lucky for us, when the building met the bulldozer, NYU officials saved one architectural detail: a small spire, complete with a handful of grotesques.

Foundersmemorial2015They ceremoniously named it the Founder’s Memorial and brought it to the new Bronx campus, where it spent most of the 20th century.

But the Bronx campus was sold off in the 1970s, and NYU once again concentrated its educational offerings in Greenwich Village. When the school came back, the spire came returned as well.

Today it sits off West Fourth Street between Bobst Library and Shimkin Hall, a modest sliver of the 1830s hiding in the shadows of the modern city.

Looking down Sixth Avenue in Greenwich Village

January 19, 2015

Sixth Avenue at West 10th Street looks about the same today, right? Well, except for the notorious women’s prison building hiding behind the Jefferson Market Courthouse turned Library.

Walterbrightwell

Walter Brightwell painted this scene, according to Artnet, naming it “Looking Down Sixth Avenue Towards the Jefferson Market Library Building.”

The painting looks like it was done in the 1940s, but interestingly, Jefferson Market didn’t became a NYPL library branch until the 1960s.

A little girl’s very busy New Year’s Day in 1850

December 29, 2014

Catherinehavens1847“Yesterday was New Year’s Day, and I had lovely presents,” wrote 10-year-old Catherine Havens in her diary, which chronicles a year in the life of a privileged city schoolgirl, on January 2, 1850.

The diary is a wonderful artifact, describing her home on Fifth Avenue and Ninth Street, her favorite candy stores on Eighth Street, and the afternoons she spends rolling hoops and playing in Washington Square.

And it also gives contemporary readers a glimpse into what New Year’s Day was like for the city’s elite 165 years ago.

At the time, the colonial Dutch tradition of receiving male callers all day was in still full swing among upper class families, with smartly dressed gentlemen making short (often inebriated) visits to the ladies of a household.

Catherinehavensdiary

“We had 139 callers, and I have an ivory tablet and write all their names down on it,” wrote Catherine.

“We have to be dressed and ready by 10 o’clock to receive. Some of the gentleman come together and don’t stay more than a minute; but some go into the back room and take some oysters and coffee and cake, and stay and talk.”

Newyearscalling1859harpers“The gentlemen keep dropping in all day and until long after I have gone to bed; and the horses look tired, and the livery men make a lot of money.”

Calling had romantic overtones. “Mr. Woolsey Porter and his brother, Mr. Dwight Porter always come in the evening and sit and talk a long time. They are very fond of one of my sisters.”

Catherine ends her New Year’s Day entry with a thought about the future.

Catherinesdiary2

“Next January we shall be half through the nineteenth century. I hope I shall live to see the next century, but I don’t want to be alive when the year 2000 comes, for my Bible teacher says the world is coming to an end then, and perhaps sooner.”

She lived until 1939, almost making it to her 100th birthday.

A wet and windy night in Washington Square

October 27, 2014

Washington Square enchants in Everett Shinn’s depiction of a blustery and busy night there in 1910. A member of the Ashcan School, Shinn favored scenes of city life and social realism.

Everett Shinn - Washington Square, New York, 1910

“He painted tenement fires, bread lines, and theater scenes, but he especially liked to depict the parks and squares of the city; Washington Square, a 13.5 acre park in the midst of New York City’s Greenwich Village, was his favorite,” states the website for the Museum of Fine Arts in Boston, which owns this painting.

When asked for his opinion on the most beautiful place in New York, Shinn replied, “When I want to be sure to find beauty I go to Washington Square. . . . No matter what the conditions may be under which I see it—no matter what my mood may be—I feel almost sure that it will appeal to me as beautiful.”

A wintry view of the end of Christopher Street

October 4, 2014

Christopher Street in the far West Village really hasn’t changed very much since Beulah R. Bettensworth depicted it in 1934. Well, at least this corner of it.

Christopherstreet1934

This Depression-era painter lived a block away at 95 Christopher, and her stretch of the street looks like the downtown of a small village: there’s the Ninth Avenue El Station that once ran up Greenwich Street. Victorian Gothic St. Veronica’s Church peeks over the station.

The PATH station entrance has a similar awning. And there still is a yellow three-story building on that northwestern corner. Too bad the cigar store is gone!

A faded ad hangs on in the Meatpacking District

September 22, 2014

From the 1890s to the 1960s, grocers Middendorf & Rohrs operated a wholesale store out of this red-brick building at One Little West 12th Street.

Meatpackingfadedad

The grocers are long-gone, of course, like the rest of the wholesale markets (including Gansevoort Market down the block) that once called this grimy stretch of Manhattan home.

But what a treat to see that the name of the place is still visible on the facade!

Meatpackingfadedadcloseup

Hmm, could this Rohrs be the same Rohrs who opened the beloved (and recently shuttered) coffee emporium on the Upper East Side in 1896?


Follow

Get every new post delivered to your Inbox.

Join 4,400 other followers